Angelucci’s conservative media empire and the party machinery of Fratelli d’Italia are portrayed as two interconnected pillars of a right-wing system that rewards loyalty, manages public money and contracts, and shapes narratives around church, state, and culture in Italy. Personnel shifts at Il Giornale, the rise of figures like Tommaso Cerno and Nico Spuntoni, and the web of contracts and festivals tied to Martin Avaro, Atreju, CasaPound, Forza Nuova, Francesco Acquaroli, Francesco Lollobrigida, and Giorgia Meloni reveal a broader pattern in which media influence, public funds, and far-right networks reinforce one another while formal leadership structures remain largely unchanged pending a crucial justice referendum.